Applications acceptance has resumed for awards with deadlines listed. We appreciate your patience in these times.
Next Deadline: September 30, 2020
Each year, CLAGS sponsors a student paper competition open to all graduate students enrolled in the CUNY system. A cash prize is awarded to the best paper written in a CUNY graduate class on any topic related to gay, lesbian, bisexual, queer, or transgender experiences. Papers should be between 15 and 50 pages and of publishable quality.
- Submissions should include a copy of the paper with the author’s name, contact information, campus affiliation, and the name of the course/instructor for which the paper was written.
Applications may be submitted directly through email or through file-transfer sites such as WeTransfer. Please send all submissions/file transfers to firstname.lastname@example.org. Files saved on CD are also accepted. Print copies will not be accepted.
“Trans Rights as White Rights: Racialized Gender and the Canadian Settler State”
Olivia is a person who is white, Jewish, qt, and autoimmune with a background in visual art practice. They recently received an MA degree in Women’s and Gender Studies from the CUNY Graduate Center, where their thesis traced contemporary white ideologies of big data and ‘artificial intelligence’ to Antebellum era conceptions of public and private space as shaped by racial slavery, Blackness and embodied refusals of racial capitalism. Olivia is an incoming PhD student in Cultural Studies at Queen’s University under the supervision of Dr. Lisa Guenther. Their current research focuses on abolition geographies, starting from an analysis of white settler colonial geographic, aesthetic and carceral practices of perception, including remote sense and point of view.
“Finding a Way Out: Out in the Night and Our ‘Unbearable Wrongness of Being”
LeiLani Dowell is a Presidential MAGNET Fellow and Ph.D. candidate in English at the City University of New York Graduate Center. She is interested in issues of grievability and power in relation to ‘human rights’ discourses. Her current work examines U.S. carceral logics through the case of the New Jersey Four, a group of lesbian and gender nonconforming people imprisoned for defending themselves against an attack in New York’s Greenwich Village in 2006.
“Reading Arendt after Sex and Obergefell: Education as the Solution for the Crisis in the Queer Revolution”
Navid Khazanei, CUNY Law J.D.c ’17, is currently serving CUNY Law Review as an Executive Articles Editor. Navid, an emigré from Iran, previously spent his Sorensen Fellowship tenure with Immigration Equality, providing direct legal services to LGBTQ/HIV+ immigrants and working for administrative and legislative changes in U.S. immigration law. His research interests include: Feminist Legal Theory; Critical Tax and Philanthropy Studies; Diaspora Studies; Critical Legal Pedagogy; and Arendtian Constitutionalism.
The Poetics of Misrecognition, and the Aesthetic Potental of (Not)Knowing
Karen Lepri is the author of the collection of poems, Incidents of Scattering (Noemi, 2013) and was the recipient of the 2012 Noemi Poetry Prize. Her poetry, essays, and translations appear in Aufgabe, Boston Review, Lana Turner, Conjunctions and more. She teaches writing and literature at Queens College, The Cooper Union and Bard College. Her current dissertation research explores how entwined understandings of magic and poetry have had a racializing effect on the ways 20th century poetry critique thinks and works. She is also writing on the side on Stein’s social negativity, Wittgenstein’s erotic marginalia, and Barthes’ The Neutral.
The constitution of lesbian characters in the novels of Ibis Gómez-Vega and Ena Lucía Portela
Mariana Romo-Carmona is co-editor of Cuentos: Stories By Latinas, author of the novel, Living at Night, and Sobrevivir y otros complejos: Poems in Englillano. Her Master’s thesis is on deterritorialization and suicide in the work of surrealist Chilean poet, Carlos de Rokha, and begins her doctoral studies (Fall, 2014) in the Hispanic & Luso-Brazilian Lits. and Langs. Program at The Graduate Center, CUNY.
Maria Edurne Zuazu
Lip-syncing as Queer Autobiographical Performance in Jonathan Caouette’s Tarnation
“Don’t Spill the Juice! The Emergence of the Homosexual Subtext in Bollywood”
Roy Pérez is an associate professor of English and American Ethnic Studies at Willamette University, and a visiting scholar in the Chicano Studies Research Center at UCLA for 2018-2019. He received his PhD in English at NYU in 2012. His essays and poems have appeared in Trap Door: Trans Cultural Production and the Politics of Visibility (MIT Press, 2017), Narrative, Race, and Ethnicity in the United States (OSUP, 2017), Women & Performance: a journal of feminist theory, the Best of Panic! poetry anthology, Bully Bloggers, and FENCE magazine. He is the co-editor, with Kadji Amin and Amber Musser, of a special issue of ASAP/Journal on the topic of “queer form.” His current book project, titled Proximities: Queer Configurations of Race in Latinx Literature and Performance, examines cross-racial representation and collaboration in queer Latinx writing, performance, and visual art.
“Conferencing on the Edge: A Queer History of Feminist Field Formation, 1969-1989”
Rachel Corbman is a doctoral candidate in Women’s, Gender, and Sexuality Studies at Stony Brook University. Her research interests center on the history of U.S. social movements, LGBTQ and feminist activism, and the relationship between social movements and the formation of interdisciplinary fields of study. Her dissertation, “Conferencing on the Edge: A Queer History of Feminist Field Formation,” traces the infrastructural and intellectual history of U.S. feminist and queer field formation, spanning the institutionalization of the first women’s studies programs in the 1970s and the development of gay and lesbian studies in the late 1980s. In addition to her work as a scholar and teacher, Rachel is on the coordinating committee of the Lesbian Herstory Archives, the oldest and largest lesbian historical collection in the world.
Shanté Paradigm Smalls
Hip Hop Heresies: Queer Aesthetics in New York City
Shanté Paradigm Smalls is a scholar, artist, and writer. Smalls’s teaching and research focuses on Black popular culture in music, film, visual art, genre fiction, and other aesthetic forms. Dr. Smalls recently finished their first scholarly manuscript, Hip Hop Heresies: Queer Aesthetics in New York City, which won the 2016 CLAGS Fellowship Award for best manuscript in LGBTQ Studies. Hip Hop Heresies is the first of its kind—placing queerness, hip hop, and black aesthetics in conversation with one another to argue that New York City hip hop cultural production from the 1970s to the mid-2010s inherently employs “queer articulations” of race, gender, and sexuality.
Carceral Normativites: Sex, Security, and the Penal Management of Gender Nonconformity
Elias Vitulli is a Visiting Lecturer of Gender Studies at Mount Holyoke College. His research explores the connections between queer/transgender studies and critical prison studies. His current project, “Carceral Normativites: Sex, Security, and the Penal Management of Gender Nonconformity,” examples the history of the incarceration of gender nonconforming and transgender people in the US from the early twentieth century to the present, focusing on the evolution and logics of penal policies and practices. He received his Ph.D. in American Studies, with a minor in Feminist and Critical Sexuality Studies, from the University of Minnesota in 2014. His work has appeared in GLQ, Social Justice, and Sexuality Research and Social Policy.
Queer Marronage and Caribbean Writing
Ronald Cummings is currently Assistant Professor of Postcolonial Studies at Brock University. He was the 2013-2014 postdoctoral research fellow in Critical Caribbean Studies at Rutgers University. His research focuses on representations of queerness and marronage in Caribbean writing and cultural discourse.
Dr. Jagadisa-devasri Dacus is a Postdoctoral Research Fellow at the HIV Center for Clinical and Behavioral Studies, Division of Gender, Sexuality, and Health at the New York State Psychiatric Institute and Columbia University.
Dr.Dacus has conducted two National Institute of Mental Health (NIMH)-funded research studies that focused on maintained HIV-negativity in Black men who have sex with men (MSM) in New York City. His research aims to identify and understand the psychological, social, and spiritual strengths and resiliencies thatcontribute to the maintenance of HIV-negativity in Black MSM populations.
He is state-licensed social worker who possess an extensive history of working for and with community based organizations, nonprofits, and local and state health departments engaged in the provision of HIV programs, interventions, and other services for at-risk people of color populations, youth, drug users, and LGBTQ+ populations.
Dr. Dacus is a skilled facilitator and trainer, and has worked extensively with organizations in the areas of strategic planning, team building, and program development and evaluation. As a subject matter expert his expertise centers on organizational cultural competence, broadly, and cultural competence. He received his MS in Social Work from Columbia University and his PhD from The Graduate Center, City University of New York.
Timothy M. Griffiths
Bricolage Propriety: The Queer Practice of Black Uplift, 1890-1905
Timothy M. Griffiths is a postdoctoral fellow in English and African American Studies at the University of Virginia. He recently earned his PhD in English from The Graduate Center, CUNY with a certificate in American Studies. His areas of research include queer theory, African American Culture, nineteenth- and twentieth-century American literature, posthumanism, and popular music studies. His essays and reviews have appeared or are forthcoming in African American Review, American Literature, Callaloo, GLQ, ISLE, and The Journal of Popular Music Studies. His current project, Bricolage Propriety: The Queer Practice of Black Uplift, 1890-1905, situates post-Reconstruction black American culture in the genealogy of queer American studies. It also roots current queer theory in this archive. Focused on archival papers and novels by Charles W. Chesnutt, Pauline Hopkins, Sutton Griggs, Thomas Nelson Page, William Hannibal Thomas, and Thomas Dixon Jr., Bricolage Propriety illuminates inventions of and challenges to black sexual propriety in late-nineteenth century culture. It argues that this archive not only calls into question the purity and novelty of queer antinormativity in the present, but it further illustrates the constitutive relationship between performatives of blackness and American theories of sexual propriety in postbellum American history. Previously, he has taught at Brooklyn College and is also a former Mellon/ACLS Dissertation Completion Fellow and NYPL Schomburg Center Scholar in Residence.
Let the Record Show: Mapping Queer Art and Activism in New York City, 1986-1995
Tara Burk is a Philadelphia-based art historian. Her work appears in places such as Women Studies Quarterly and Journal of Curatorial Studies. She has lectured widely at institutions and conferences including the Brooklyn Museum, The IFA-Frick Symposium on the History of Art, The College Art Association Annual Meeting and The Center for Lesbian and Gay Studies.
She received her doctorate in Art History from the Graduate Center of the City University of New York in 2015. Her dissertation, “Let the Record Show: Mapping Queer Art and Activism in New York City, 1986-1995,” examines the American activist art collectives Silence=Death Project, Gran Fury, and fierce pussy. It traces the development of cultural AIDS activism in the urban public sphere and the reconfiguration of both artistic and political engagement during the American culture wars of the late twentieth century.
Tara is currently a lecturer at Rutgers University, where she teaches a course on pornography and gender. She recently curated a Visual AIDS web gallery, “Summer Streets,” which considers the urban street as both a site and a feeling of crucial significance to sexual outlaws. Her latest project examines the iconography of hands in queer art, which is supported in part by the Leather Archives and Museum Visiting Scholar program.
‘The Last of the Great Bohemians’: Film Poetry, Myth, and Sexuality in Greenwich Village and the Atlantic, 1930-1975
Thomas W. Hafer completed his Ph.D. in History at the Graduate Center, CUNY in 2014. His dissertation, ‘”The Last of the Great Bohemians”: Film Poetry, Myth, and Sexuality in Greenwich Village and the Atlantic, 1930-1975’, examines the modernist identity, art, and sexuality of a group of bohemian artists as they encounter postmodernist art and gay liberation in the 1960s and 1970s. He regularly teaches history at John Jay College, Brooklyn College, and St. Francis College.
A recent doctoral graduate from the Graduate Center’s department of Sociology, was awarded the Monette-Horowitz award for his dissertation, “Sexuality” and “Gender” in Santería: Towards a Queer of Color Critique in the Study of Religion. His dissertation theorizes the relationship between sex, gender, and sexuality by empirically studying the participation and reception of Lesbian-, Gay-, Bisexual-, and Transgender- or Transsexual- (LGBT) identified practitioners of Santería, an Afro-Cuban religious-cultural practice, in New York’s metropolitan area. Using traditional ethnographic and interview methods, selected media coverage, experimental qualitative methods, and Santería literatures, the dissertation challenges the relationship between “gender” and “sexuality” as either interrelated categories in the social sciences, or as ontologically distinctive.
Awarded the 2005 Monette-Horwitz prize for his dissertation, This Thing of Darkness: Reclaiming the Queer Killer in Contemporary Drama. Schildcrout completed his Ph.D. in Theatre at The Graduate Center, CUNY in May 2005. His dissertation analyzes “the queer killer” as a frequently recurring character type in dramatic narratives. The study examines the homophobic paradigm that imagines sexual nonconformity as criminal, destructive, and evil, but also aims to deepen and enrich our understanding of plays featuring queer killers by interpreting them as complex works of imagination that trade on metaphor and fantasy to entertain, provoke emotion and thought, and illuminate queer experience.
Awarded the Monette-Horwitz Prize for his dissertation, “Anarchism and the Politics of Homosexuality.” Kissack defended the dissertation at The Graduate Center, CUNY in the Fall of 2003 and is currently revising the manuscript for publication. His work has appeared in the Radical History Review, the Journal of the History of Sexuality, and the Journal of the Gilded Age and Progressive Era. He is currently serving as executive director of the Gay, Lesbian, Bisexual, Transgender Historical Society (http://www.glbthistory.org).
(Honorable Mention): Sean Massey received an honorable mention for his dissertation in psychology, completed at The Graduate Center, CUNY, “Polymorphous Prejudice: Liberating the Measurement of Heterosexuals’ Attitudes Toward Lesbians and Gay Men.”.
Patty Kelly was awarded the 2003 Monette-Horwitz Prize for her dissertation, “Sex Work in the ‘Other’ Chiapas: Prostitution, Morality, and Modernity in Urban Mexico.” Kelly received her Ph.D. in anthropology in October 2002 from the Graduate Center of the City University of New York, currently holds a post-doctoral fellowship at Baruch College, CUNY, and just published a chapter called, “I Made Myself from Nothing: Women and Sex Work in Urban Chiapas” in Women of Chiapas: Making History in Times of Struggle and Hope (Christine Eber and Christine Kovic eds. Routledge 2003). Based upon twelve months of ethnographic and archival research, Kelly’s work examines legalized prostitution in Tuxtla Gutiérrez, Chiapas, in order to analyze both the relationship between neoliberalism, urbanization, and culture, and how cultural beliefs surrounding gender, sexuality, and morality are constructed, experienced, and contested in contemporary Mexico.
Bruce Kirle for “Cultural Collaborations: Re-Historicizing the American Musical.” Kirle argues that musical theater texts are not fixed by authorial intent or by the authenticity of an original production, but can be read in relation to their cultural moments. To explore this phenomenon, he focuses on three successful Broadway musicals that featured queer characters and opened in the season following the Stonewall riots: Company, Coco, and Applause.
C. Riley Snorton
Black on Both Sides
C. Riley Snorton, Professor of English Language and Literature and holds a residency at the Center for Gender and Sexuality Studies at the University of Chicago. Snorton is a cultural theorist who analyzes representations of race and gender throughout history. He is the author of Nobody Is Supposed to Know: Black Sexuality on the Down Low(University of Minnesota Press, 2014) and Black on Both Sides: A Racial History of Trans Identity (University of Minnesota Press, 2017), winner of the Lambda Literary Award for Transgender Nonfiction and an American Library Association Stonewall Honor Book in Nonfiction. The book has also been recognized by the Organization of American Historians and the Institute for Humanities Research.
Snorton’s next monograph, tentatively titled Mud: Ecologies of Racial Meaning examines the constitutive presence of swamps to racial practices and formations in the Americas. Currently, he is coediting Saturation: Racial Matter, Institutional Limits and the Excesses of Representation (New Museum / MIT, forthcoming) and The Flesh of the Matter: A Hortense Spillers Reader (forthcoming). He has also coedited several special issues of journals, including “Blackness” for Transgender Studies Quarterly (2017), “The Queerness of Hip Hop / the Hip Hop of Queerness” for Palimpsest: A Journal on Women, Gender, and the Black International (2013), and “Media Reform” for the International Journal of Communication.
Snorton has been a recipient of a National Endowment for the Humanities fellowship at the New York Public Library’s Schomburg Center for Research in Black Culture, an Andrew W. Mellon postdoctoral fellowship at Pomona College, and two fellowships at Harvard’s W.E.B. Du Bois Institute for African and African American Research. He received his PhD from the University of Pennsylvania Annenberg School for Communication with graduate certificates in Africana studies and women, gender, and sexuality studies.
Yolanda Martinez-San Miguel & Sarah Tobias
Trans Studies: The Challenge to Hetero/ Homo Normativities
Yolanda Martínez–San Miguel is a cultural critic and literary theorist. She works on issues of sexuality and gender in the production of knowledge and cultural representations in Latin American colonial and Caribbean postcolonial literature and discourse. Her other areas of research and teaching interest include colonial Latin American discourses and contemporary Caribbean and Latino narratives, migration, and Cultural Studies. She has an MA and PhD in Latin American Cultural Studies from the University of California at Berkeley and a BA in Hispanic Studies from the University of Puerto Rico. Martínez– San Miguel is the author of Saberes americanos: Subalternidad y epistemología en los escritos de Sor Juana (1999), Caribe Two Ways: Cultura de la migración en el Caribe insular hispánico (2003), From Lack to Excess: “Minor” Readings of Colonial Latin American Literature (2008), and Coloniality of Diasporas: Rethinking Intra- colonial Migrations in a Pan-Caribbean Context (2014). In 2010-2013, she was the director of the Institute for Research on Women at Rutgers, where she holds a holds a joint appointment in Latino and Caribbean Studies and Comparative Literature. During the 2017-2018 is the Martha Weeks Chair in Latin American Studies at the University of Miami.
Sarah Tobias is Associate Director of the Institute for Research on Women (IRW) at Rutgers, The State University of New Jersey, where she is also affiliate faculty in the Women’s and Gender Studies Department. Her work bridges academia and public policy. A feminist theorist and LGBT activist, she is co-editor of Trans Studies: The Challenge to Hetero/Homo Normativities (Rutgers University Press, 2016), co-author of Policy Issues Affecting Lesbian, Gay, Bisexual, and Transgender Families (University of Michigan Press, 2007), and editor of the online journal Rejoinder. Prior to joining IRW in January 2010, she spent over 8 years working in the nonprofit sector, including as Public Information and Research Director at the International Gay and Lesbian Human Rights Commission (now Outright Action International) and as a consultant to the Policy Institute of the National Gay and Lesbian Taskforce (now the National LGBTQ Taskforce). She has also taught at Rutgers-Newark, the City University of New York (Baruch College and Queens College), and Columbia University. She has a Ph.D. in Political Science from Columbia University and an undergraduate degree from Cambridge University, England.
Trans Bodies, Trans Selves
Trans Bodies, Trans Selves is a resource guide written by and for transgender and gender nonconforming people about all aspects of life, including health, legal issues, relationships, sexuality, history, and activism. It is packed with great information, as well as individual stories and photos that highlight real lives. It is a must-read for parents, friends, partners, teachers, therapists, and other health providers. (Edited by Laura Erickson-Schroth, Oxford University Press, 2014).
We Will Not Rest in Peace: AIDS Activism, Black Radicalism, Queer and/or Trans resistance
Che Gossett is a genderqueer writer and activist who works to excavate queer of color AIDS activist and trans archives. They have received a research grant from the Radcliffe Institute for Advanced Study at Harvard University for their project on legacies of Black queer solidarity with Palestinian struggle, have been selected as a Martin Duberman visiting scholar with the New York Public Library and have published work in Captive Genders: Trans Embodiment and the Prison Industrial Complex and volume two of theTransgender Studies Reader.
Trans Power!: Sylvia Lee Rivera’s STAR and the Black Panther Party
Samuel Ng is a fourth-year doctoral candidate in the American Studies program at NYU, working with advisor Nikhil Pal Singh. He graduated from Yale University in 2009 with a BA in American Studies. Before coming to NYU, he worked as an intern in the National Museum of American History and as a teaching fellow in the history department at Phillips Andover. His research interests include black intellectual history in the 20th century, civil rights movements, nationalism and empire, and gender and sexuality studies. He is currently at work on a dissertation that charts the emergence and development of mourning and lingering in despair as a viable mode of black political protest and organizing in the United States during the first half of the twentieth century.
Amanda Lock Swarr
Sex in Transition: Remaking Gender and Race in South Africa
Amanda Lock Swarr is Associate Professor of Gender, Women and Sexuality Studies at the University of Washington. Prior to joining the UW faculty in 2005, she was Mellon Postdoctoral Fellow at Barnard College of Columbia University. She holds a Ph.D. in Feminist Studies and a M.A. in Anthropology from the University of Minnesota and a B.A. in Women’s Studies from Bucknell University. Swarr’s research explores queer and trans* concerns, medical inequalities, gendered violence, and transnational feminist politics and has appeared in journals including SIGNS: Journal of Women in Culture and Society and Feminist Studies. She is the author of Sex in Transition: Remaking Gender and Race in South Africa (2012) and co-edited the anthology Critical Transnational Feminist Praxis (2010) with Richa Nagar. Since 1997, Swarr has worked with South African activists to address transgender politics, gendered medical abuse and experimentation, HIV/AIDS treatment access, and sexual violence targeting lesbians and trans* people.
Planned Parenthood of the Southern Finger Lakes, Inc.: Awarded the 2006 Silvia Rivera Award in Transgender Studies for the pamphlet “Providing Transgender-Inclusive Healthcare Services.” The publication is directed toward healthcare providers and offers information on the barriers transgender clients face in seeking healthcare, guidance on creating a more inclusive health center, a glossary of terminology related to gender and sexuality, as well as historical information and a guide to more resources. The pamphlet is an internal publication of Planned Parenthood and was distributed electronically and free of charge to Planned Parenthood centers around the country.
Sally Hines: A Research Fellow in the School of Sociology and Social Policy at the University of Leeds, UK. She has published a number of journal articles and book chapters on transgender practices of identity and intimacy, and is currently revising her thesis for the publication of a research monograph, which is entitled ‘(Trans)Forming Gender: Transgender Practices of Identity, Intimacy and Care‘. She was awarded the Sylvia Rivera award for her article ‘ “I am a Feminist but…”: Transgender Men, Women and Feminism’, which was published in Reger, J. (ed.) (2005) Different Wavelengths: Studies of the Contemporary Women’s Movement, New York and London: Routledge. It examines the relationship between gender diversity and feminist theory and activism, and argues for stronger links between feminism and transgender.
Benigno Sifuentes-Juáregui: For Transvestism, Masculinity, and Latin American Literature: Genders Share Flesh. Sifuentes-Juáregui describes his recent Palgrave publication as “a detailed analysis of the relation among transvestism, male homosexuality, and gender figurations in contemporary Latin American cultural, social, and literary texts.”
Revolution in the Sheets: The Intimate Politics of the Mexican Left, 1901-1981
Robert Franco is a PhD candidate in History at Duke University whose work is concerned with the politics of gender, sexuality, and the family in Latin America. His dissertation project, titled “Revolution in the Sheets: The Sexual Politics & Intimate Practices of the Mexican Left, 1901-1981” examines the antagonism of the Mexican Left – communists, socialists, and anarchists – towards sexual politics. His project seeks to historicize the political foundations of these hostilities to understand why sexual politics wax and wane as issues of concern for the Mexican Left, and what are the contingencies that undergird the outburst of intolerance in political discourse.
Andrés Castro Samayoa: Understanding Social Identities’ Histories in Educational Data Collection Instruments in Contemporary United States This project explores the social histories of survey instruments utilized to amass large-scale educational research data. Drawing from sociology of knowledge, bibliometrics, and history of science, my project connects the contemporary interest in big data with the various constructions of demographic information, such as racial, ethnic, gender, and sexual categories.
Mab Segrest: For her project ST EOM, Jayne County, and the Georgia-to-NYC Rural Queer Avant-Garde. Mab Segrest is Professor Emeriti of Gender and Women’s Studies at Connecticut College. Segrest has worked for thirty-five years as a teacher, writer and activist in a range of movements on queer issues, anti-racism, and social and economic justice. “Memoir of a Race Traitor” (South End Press, 1994) was Editor’s Choice in the Lambda Literary Awards, was named an Outstanding Book on Human Rights in North America by the Gustavus Myers Center on Human Rights, and was nominated for Non-Fiction Book of the year by the Southern Regional Council. She is currently living in Brooklyn and working on two books of social history on Georgia’s state mental hospital at Milledgeville, the largest such institution in the world during the 1940s and 1950s as culmination of her work on identity, culture and power in the U.S. South.
Clare Hemmings: Senior Lecturer in Gender Theory at the London School of Economics and Political Science in the UK. Her project, “Bisexuality, Transnational Sexuality Studies and Western Colonial Legacies,” explores the work that bisexuality does within the expanding field of transnational sexuality studies. Clare asks why it is that bisexuality matters in relation to dilemmas within the field, particularly those concerning naming of sexual practices outside of contexts where sexual identity categories are readily available. Her focus is thus not on what bisexuality is, or which practices, where, might nestle under the term, but on what the absence or presence of bisexuality means for theorists of transnational sexuality. The work so far has highlighted ways in which citation of bisexuality locks transnational queer studies into a developmental paradigm it might otherwise wish to challenge.
Susan Stryker: Beginning research for a biographical film about Christine Jorgensen, the working title of which is “Christine in the Cutting Room.” It focuses on Jorgensen’s career as a photographer and film maker.
Kathryn Conrad (Honorable Mention): Received the Duberman honorable mention for “Space for Change: Sex, Knowledge, and the Politics of Public Space,” a book-length project on visibility, sexuality, and political epistemology in Northern Ireland.
E. Patrick Johnson: Associate Professor of Performance Studies and African American Studies and Director of Graduate Studies at Northwestern University. His research project, Sweet Tea: An Oral History of Black Gay Men of the South, examines the oral histories of black gay men who were born, raised, and continue to reside in the South. Gathering oral histories from black gay men between the ages of 19 and 93 from states that were a part of the confederacy, Johnson tries to fill a void in the historical accounts of racialized sexual minorities in the South. Ultimately, Johnson hopes that this project will complicate gay histories that suggest that gay subcultures flourished mostly in northern, urban, industrial cities, by theorizing the South as a “vital” subculture and reconsidering this region as “backward” and “repressive” when clearly gay community building and desire emerge simultaneously from within and against southern culture.
Jim Hubbard (Honorable Mention): Received a Duberman Award honorable mention for the “ACT UP Oral History Project,” an archive of interviews with ACT UP organizers. Interview transcripts and video clips of the project can be seen at http://www.actuporalhistory.org
Ellen Lewin (Honorable Mention): Professor in the Departments of Women’s Studies and Anthropology at the University of Iowa. Her research examines the experience of gay men who are or seek to become fathers by investigating the moral and cultural claims that actual or potential parenthood allows them to make. Her research questions the assumptions about the centrality of motherhood in shaping gender, the position of fathers within families, and the designations of appropriate maternal and paternal spheres. Lewin conducts most of her research in the Chicago area.
Laurence Senelick (Honorable Mention): Fletcher Professor of Drama at Tufts University and has published widely on gender, performance, and the arts. He has published The Changing Room: Sex, Drag and Theatre, which received the George Freedley Award’s Honorable Mention for best theatre book of 2000 from the Theatre Library Association and the George Jean Nathan Award for Dramatic Criticism. He is currently conducting research for his next book, Picturing Perverts: Popular Imagery of Sexual Deviates, which will trace the evolution of popular imagery of what is now referred to as the gay man and the lesbian woman from the Reformation to the Second World War.
Kathy Conrad (Honorable Mention): Assistant Professor of English at the University of Kansas and teaches courses ranging from Irish culture and literature to women’s autobiography. She is currently completing a book manuscript, Locked in the Family Cell: Gender, Sexuality, and Political Agency in Irish Discourses of the Nation, which looks at the relationship among gender, sexuality, and nation, and, in particular, the ways in which narratives shape political rhetoric and political agency. She has previously received the Dermot McGlinchey Award for her work in Irish Studies and has recently lectured on lesbianism in Irish feminist writing, on sodomy and sovereignty in the Republic of Ireland and Northern Ireland, and on the Irish Lesbian and Gay Organization.
James Green: Green is examining the interaction of Brazilian social and cultural norms with the lesbian and gay movement, including the significant interchange between lesbians and gay men, and currently works in Latin American history at California State University, Long Beach.
Michael Bronski: Bronski’s work explores shifts in conceptualizing outsider status and citizenship that occurred during the 1950s as the restrictions of overt (although not covert) discrimination changed for American Jews, and a more vocal and visible “minority” of homosexuals emerged into mainstream consciousness.
Marcia M. Gallo: A lesbian social justice activist who has taught the history of sexuality, U.S. and New York history, and American Studies at Lehman College for the last three years. She is the author of Different Daughters: A History of the Daughters of Bilitis and the Rise of the Lesbian Rights Movement (Carroll & Graf, 2006), the first and only full-length work to explore the pioneering American women’s organization. It won the 2006 Lambda Literary Foundation Award for LGBT Nonfiction and was a finalist for the 2006 Publishing Triangle Judy Grahn Award. Different Daughters also was named one of the best books of 2006 by the San Francisco Chronicle. Gallo has researched and written about Cold War women’s history, focusing on the ways in which women of color, working and poor women, and sexually nonconforming women organized for civil and human rights in the U.S. and internationally. She is now working on a book about Catherine “Kitty” Genovese, who was murdered in Queens, New York in 1964 and became an international symbol of urban apathy and the failure of community.
Dwight McBride: An Associate Professor of English and African American Studies, and Chair of African American Studies at Northwestern University. He has published widely in the areas of literature, race theory and black cultural studies. He is the editor of James Baldwin Now (NYU Press, 1999) and co-editor of Black Like Us: A Century of Lesbian, Gay, and Bisexual African American Fiction (Cleis Press, 2002). His latest work, Why I Hate Abercrombie and Fitch: Essays on Race and Sexuality in the U.S., is forthcoming from NYU Press in 2004.
Siobhan Somerville: Associate Professor of English and Women’s Studies at the University of Illinois (Urbana-Champaign), and is the author of Queering the Color Line: Race and the Invention of Homosexuality in American Culture (Duke UP, 2000). She has edited “Queer Fictions of Race,” a special issue of Modern Fiction Studies (2002); and (with Judith Roof), “Recent Lesbian Theory,” a special issue of Concerns. Her work has also appeared journals such as American Literature and the Journal of the History of Sexuality. Her current work explores questions of citizenship, sexuality, and race in American law, fiction, and film in the U.S. from 1940-1968.
Robert McRuer: Assistant Professor of English at George Washington University. He published The Queer Renaissance: Contemporary American Literature and the Reinvention of Lesbian and Gay Identities in 1997 and has edited the forthcoming Desiring Disability, a special issue of GLQ that looks at queer theory and disability studies. He attended the National Endowment for the Humanities Summer Institute on Disability Studies and is currently working on a book project tentatively titled De-Composing Bodies: Cultural Signs of Queerness and Disability.
Molly McGarry: A lecturer in the department of History at Bryn Mawr College. In 1994, she was co-curator of the New York Public Library’s groundbreaking exhibition, Becoming Visible: The Legacy of Stonewall and co-authored the follow-up publication entitled Becoming Visible: An Illustrated History of Lesbian and Gay Life in Twentieth Century America (Viking/Penguin, 1998). Her dissertation, “Haunting Reason: Spiritualism and the Cultural Politics of Nineteenth-Century America,” was nominated for an Allan Nevins Award for best dissertation in American History by the Society of American Historians and was awarded NYU’s Graduate School of Arts and Sciences Dean’s Dissertation Award.
Roberto Tondopó studied photography at the Contemporary Photography Seminar, by Centro de la Imagen. Currently he is pursuing a master’s degree in Visual Arts in the postgraduate program of Arts and Design at the National Autonomous University of Mexico (UNAM).
P.J. Raval was awarded the fellowship for his “Untitled Jennifer Laude Documentary.” In this film, grassroots activists in the Philippines are spurred into action when a local transgender woman is found dead in a motel room with a 19-year-old U.S. marine as the leading suspect. As they demand answers and a just trial, hidden histories of U.S. colonization come bubbling to the surface.
Leonard Suryajaya is the 2016 – 2017 Robert Giard Fellow for his multimedia project Other Mother.
Suryajaya’s work explores intricate and complicated layers of selfhood in the context of cultural background, intimacy, sexual preference, and personal displacement. Prompted by his upbringing as a second-generation Chinese Indonesian raised by a Muslim woman, Suryajaya’s mixed media project examines expressions of allegiance in a globalized world.
Juan Carlos Zaldivar: ALTERATIONS follows J, a young trans person, as she sets out to reconnect with her estranged mother for the first time as a woman. Months prior, when Jesus told his bi-polar mother, Mary Jane, that he was going to transition into a woman, his mother had a heart attack. When Mary Jane came to, she did not remember her identity and now believes that she is someone else. ALTERATIONS chronicles a magical weekend escapade where the two women meet as their new selves. When they challenge each other to face their worst fears, a new friendship blossoms that is independent from their blood ties. ALTERATIONS will use special technology, which allows for the video to contain ‘hot spots’ when viewed on the Web. Users will be able to mouse-over the video as it plays on the Web to discover and access other elements of the story as well as additional, related experiences.
Ka-Man Tse: For her project, Portraits and Narratives of LGBTQ Asians and Asian-Americans in the U.S. and Hong Kong. Ka-Man Tse is a New York based photographer and video artist. She received an MFA from Yale University in 2009, and a BA from Bard College in 2003. She has exhibited at the Museum of Chinese in America in New York, NY, the Bronx Museum of the Arts, Cornell University, Capricious, the Philadelphia Photo Arts Center, Gallery 339 in Philadelphia, and the Eighth Veil in Los Angeles. She was a SPARC Artist-in-Residence through the New York City Department of Cultural Affairs, and completed the Artist in the Marketplace program through the Bronx Museum of Arts. This summer her work will be featured in two shows, at the Philadelphia Photo Arts Center, and in Our Portraits, Our Families at the Museum of the Chinese of America, a group photography exhibition featuring portraits of Asian and Pacific Islander (API) Lesbian, Gay, Bisexual, Transgender and Queer (LGBTQ) individuals and their families. She teaches at Yale University School of Art and at Cooper Union. To see more of Ka-Man’s work, check our her website here:www.tsewhat.com
Carmen Oquendo-Villar: For her film, Diana de Santa-Fe. Carmen Oquendo-Villar ‘s films explore gender issues in Latin America and within Latin@ communities in the United States. She’s trained in documentary filmmaking (Harvard University) and narrative fiction (NYU’s Graduate Film Program). Her films include: Boquita (2005), Mizery (2006), The Needle (2012), Camil (2013), Carmelo (in post-production) and Santa Fe (in development). Her work has been supported by foundations like the John Simon Guggenheim Memorial Foundation, Rockefeller Brothers Fund, David Rockefeller Center for Latin American Studies, Jacob Javits Fellowship, Fulbright, WGBH, NALIP (National Association of Latino Independent Producers) , and most recently, by the Robert Giard Foundation. Oquendo-Villar holds a Ph.D. in literature from Harvard University.
Cary Cronenwett: Go with Flo is a personal essay film that describes my relationship with a close friend and creative partner, Flo McGarrell, and revolves around a dream McGarrell had, which caused him to have a realization of his transgender identity and ultimately brought us together. The film is a non-traditional love story that spans the time from when I first met Flo in 2004 to his memorial service in 2010. I am recreating the story from memory with the intent of creating an archival document that solidifies our relationship. The first person narration will be punctuated by dates, which suggest that parts of the text are excerpts from diary entries. Archival footage from a variety of sources piece together a document of visual evidence of our work as individuals and as creative partners. Go with Flo will stand on its own as a short work (with a run time of 20 minutes), and will eventually be screened as a companion piece to Kathy Goes to Haiti, which is a documentary/ fiction hybrid that revolves around the incomplete narrative (based on the 1978 novel, Kathy Goes to Haiti, by Kathy Acker) McGarrell and I were co-directing together at the time of his death. This short, experimental narrative film was intended to be part of a longer work based on Acker’s complete novel, which was scheduled for completion in summer of 2011, but less than three weeks after wrapping production on the short, McGarrell died in the earthquake that struck Haiti in January 2010. Go with Flo investigates McGarrell’s impact on the lives of artists, particularly queer artists, at FOSAJ art center in Jacmel. A context for interpreting McGarrell’s contributions to the queer community in Jacmel will be created through lesbian, gay, and transgender Haitians discussing life for queer people in Haiti. Cary Treadwell Cronenwett received the Bay Area Guardian Goldie Award for Local Discovery after the release of his 2009 film, Maggots and Men (55min). His first short film, Phineas Slipped (2002) played extensively in the international LGBT film festival circuit. Currently, based in Los Angeles, he is pursuing an MFA in the Film/Video program at CalArts, but is on exchange at Universtät der Kunst in Berlin. He is in post-production on a documentary/ fiction hybrid set in Haiti, which is loosely based on the novel, Kathy Goes to Haiti, by Kathy Acker.
Yoruba Richen: The New Black, a 30-minute documentary about American Black Christian churches and the gay rights movement, will air on PBS in 2014. After receiving the Robert Giard Fellowship, Yoruba Richen was awarded support from the Ford Foundation, Jerome Foundation, the Sundance Documentary Fund, the 2012 Creative Promise Award at the Tribeca Film Festival, and a Guggenheim Fellowship. For more information, please click here.
Molly Landreth & Amelia Tovey: Embodiment: A Portrait of Queer Life In America
Sonali Gulati: For her project, “Out & About,” a short personal documentary film recounting her travels in India where she presents a portrait of four families dealing with LGBTQ identified children. Sonali Gulati is an Assistant Professor at Virginia Commonwealth University’s Department of Photography & Film. She has an MFA in Film & Media Arts from Temple University and a BA in Critical Social Thought from Mount Holyoke College. Gulati has made several short films that have screened at over two hundred film festivals worldwide. She has won awards, grants and fellowships from the Third Wave Foundation, World Studio Foundation, the Virginia Museum of Fine Arts, and the Theresa Pollak Award for Excellence in the Arts, amongst several others. Her upcoming documentary project Out & About is a noteworthy film on parents of LGBT youth in India for which Gulati was awarded the Robert Giard Fellowship.
Angela Jimenez (Finalist): (Finalist.) A freelance photo documentarian/journalist based in Brooklyn where she is a regular contributor to the New York times, a contract photographer at Getty Images and does a personal project work, with a special emphasis on gender and sexuality. She has a BA in English Literature/American History from the University of Pennsylvania and an MA in Photojournalism from the University of Missouri-Columbia. She is currently completing a documentary photography book on Michigan Womyn’s Music Festival. You can find her work online at www.angelajimenezphotography.com. Her project, Womyn’s Land is an ongoing documentary project about the historic network of feminist-separatist (mostly lesbian) intentional communities in North America. The womyn’s land movement was the radical feminist branch of the back-to-land movement of the 1970s. Angela is documenting the contemporary state of this movement, in the form of photographs and documentary sound. A portion of this work was published in February 2009 in this article “My Sister’s Keeper,” which ran in the Sunday Styles section in The New York Times.
Madeleine Olnek (Finalist): A playwright, director and filmmaker working in comedy. Her first movie “Hold Up” was an official selection of the Sundance Film Festival and won the Newfest audience award for best short. Her second movie, “Make Room for Phyllis,” a comedy about polyamory, played at festivals throughout the US and Europe; and her third movie, “Countertransference” was an official selection of Sundance 2009, as well as winning the Outfest Grand Jury Prize for Outstanding Dramatic short. More info about her projects is available at www.countertransferencethemovie.com. Her project, Neurosis is a Pre-Emptive Behavior is part of an ongoing project; a series of shorts that look at lesbians and gays in therapy.
“In My Dreams I Am Being Held”
Joe Baez is a recent graduate of Brooklyn College. He received a Bachelor’s of Arts in Political Science and Women’s & Gender Studies. Joe is a Mellon Mays Undergraduate Fellow, a former CUNY Pipeline fellow, and an alumnus of the Institute for the Recruitment of Teachers (IRT) summer internship program. This Fall, he will matriculate into the doctoral program in American Studies at George Washington University. As a scholar, he dreams of radically transforming the ways we love ourselves, our bodies, and each other.
“Queer Cartographies: Reading and Travel in Fun Home and Girls, Visions, and Everything”
Tatiana Ades is a recent graduate of CUNY Hunter College where she double-majored in Women & Gender Studies and English with departmental honors. As an undergraduate, she worked as an Editorial Intern for Signs Journal of Women in Culture and Society and as a Rudin Intern for the Morgan Library and Museum’s Reference Collection. Currently, she is wrangling in her disparate research interests and reading as many books as possible.
“The Confucian Homosexual: An Interdisciplinary Exploration of Homosexuality in Late Imperial China Through the Exploration of Law, Society, and Literature”
Shattering the lens: what we assume to be heterosexual Black men’s perceptions of Black MSM, and how they really see them
Levi Bain is a junior at CUNY: John Jay College of Criminal Justice, where he double-majors in Law & Society and Culture & Deviance Studies. His burgeoning interest in the social sciences has led him to produce two ethnographic research reports. He’s currently assisting two John Jay College professors with their own scholarly work and interns at the Kings County District Attorney’s Office. Upon graduating from college, he intends to pursue a J.D./Ph.D. in Anthropology.
The Death of a Lesbian – Death in Lesbian Theatre
Liron Cohen is an undergraduate CUNY BA student at Hunter College. Her unique degree is in Journalism / US Media and Culture. She is also the college newspaper’s theatre critic. Liron started her academic career as an international student from Israel. She has since then married her partner of four years and is now a happy equal resident of the US, thanks to the Supreme Court’s overturning of the so-called Defense of Marriage Act.
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